In order to do so, we have to reimagine what an archive can be.
HARI is uncompromising in our commitment to build and support intellectually challenging and innovative scholarship that both reflects the rigor and achievement of performance in Hiphop as well as transforms our thinking and our lives. We serve to organize and develop collections, initiate and participate in research activities, sponsor events and acquire material culture associated with Hiphop in the U.S. and throughout the world. We curate all forms of Hiphop material culture including recordings, videos, websites, films, original papers, works, references, productions, conferences, meetings, interviews, publications, research, formal proceedings, etc.
Check out the latest additions to our collections:
edited by Beverly Bond
From the award-winning entrepreneur, culture leader, and creator of the BLACK GIRLS ROCK! movement comes an inspiring and beautifully designed book that pays tribute to the achievements and contributions of black women around the world.
Fueled by the insights of women of diverse backgrounds, including Michelle Obama, Angela Davis, Shonda Rhimes, Misty Copeland Yara Shahidi, and Mary J. Blige, this book is a celebration of black women’s voices and experiences that will become a collector’s items for generations to come.
Maxine Waters shares the personal fulfillment of service. Moguls Cathy Hughes, Suzanne Shank, and Serena Williams recount stories of steadfastness, determination, diligence, dedication and the will to win. Erykah Badu, Toshi Reagon, Mickalane Thomas, Solange Knowles-Ferguson, and Rihanna offer insights on creativity and how they use it to stay in tune with their magic. Pioneering writers Rebecca Walker, Melissa Harris-Perry, and Joan Morgan speak on modern-day black feminist thought. Lupita Nyong’o, Susan Taylor, and Bethann Hardison affirm the true essence of holistic beauty. And Iyanla Vanzant reinforces Black Girl Magic in her powerful pledge. Through these and dozens of other unforgettable testimonies, Black Girls Rock! is an ode to black girl ambition, self-love, empowerment, and healing.
Pairing inspirational essays and affirmations with lush, newly commissioned and classic photography, Black Girls Rock!: Owning Our Magic and Rocking Our Truth is not only a one-of-a-kind celebration of the diversity, fortitude, and spirituality of black women but also a foundational text that will energize and empower every reader.
PULSE OF THE PEOPLE: POLITICAL RAP MUSIC AND BLACK POLITICS
by Lakeyta M. Bonnette
Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of urban Blacks, a population frequently marginalized in American society and alienated from electoral politics.
Pulse of the People lays a foundation for the study of political rap music and public opinion research and demonstrates ways in which political attitudes asserted in the music have been transformed into direct action and behavior of constituents. Bonnette examines the history of rap music and its relationship to and extension from other cultural and political vehicles in Black America, presenting criteria for identifying the specific subgenre of music that is political rap. She complements the statistics of rap music exposure with lyrical analysis of rap songs that espouse Black Nationalist and Black Feminist attitudes. Touching on a number of critical moments in American racial politics—including the 2008 and 2012 elections and the cases of the Jena 6, Troy Davis, and Trayvon Martin—Pulse of the People makes a compelling case for the influence of rap music in the political arena and greatly expands our understanding of the ways political ideologies and public opinion are formed.
THE FINAL TOUR: THE BOOTLEG SERIES, VOL. 6
by Miles Davis & John Coltrane
The latest entry in the award-winning Miles Davis Bootleg Series focuses on the final chapter in the landmark collaboration between Davis and saxophonist John Coltrane: their last live performances together, in Europe in the spring of 1960.
Miles and Coltrane first collaborated in 1955, when Davis recruited the tenor saxophonist alongside pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. This "first great quintet" made their Columbia Records debut in 1957. Those early recordings showcased the stunning contrasts between Miles' spacious, melodic lines and Trane's cascading high-energy solos, famously described by the critic Ira Gilter in 1958 as "sheets of sound."
While the quintet disbanded shortly after the release of 'Round About Midnight, Coltrane was back in Miles' ensemble in early 1958. A year late, the Miles Davis Sextet (Davis, Coltrane, Chambers, saxophonist Julian "Cannonball" Adderley, pianists Bill Evans or Wynton Kelly, and drummer Jimmy Cobb) recorded the historic Kind Of Blue, the best-selling jazz album of all time. And for this final tour the rhythm section of Kelly, Chambers and Cobb backed Miles and Trane.
These historic performances marked Miles and Trane's last outing together and showcased both musicians' incredible influence on the changing sound of jazz. The beautiful music they made together is presented here officially for the very first time.
The 4CD set The Final Tour: The Bootleg Series Vol. 6 includes concerts recorded in Paris, Copenhagen and Stockholm.
LANGUAGE AND THE AFRICAN AMERICAN CHILD
by Lisa J. Green
How do children acquire African American English? How do they develop the specific language patterns of their communities? Drawing on spontaneous speech samples and data from structured elicitation tasks, this book explains the developmental trends in the children's language. It examines topics such as the development of tense/aspect marking, negation and question formation, and addresses the link between intonational patterns and meaning. Lisa Green shows the impact that community input has on children's development of variation in the production of certain constructions such as possessive -s, third person singular verbal -s, and forms of copula and auxiliary be. She discusses the implications that the linguistic description has for practical applications, such as developing instructional materials for children in the early stages of their education.
THIRD COAST: OUTKAST, TIMBALAND, AND
HOW HIP-HOP BECAME A SOUTHERN THING
by Roni Sarig
Typically, more than half the top rap songs in the country are the work of Southern artists. In a world still stuck in the East/West coast paradigm of the '90s, Southern hip hop has dominated the genre-and defined the culture-for years. And the South's leading lights, most notably OutKast, Timbaland, and more recently, crunk superstars like the Ying Yang Twins and Lil Jon, have expanded the parameters of hip hop.Third Coast is the among the first books to deal with Southern hip hop as a matter of cultural history, and to explain the character and significance of down South rapping to fans as well as outsiders. It tells the story of recent hip hop, marking how far the music has come sonically and culturally since its well-documented New York-centered early years.
THE LIGHT OF THE SUN
by Jill Scott (vinyl)
Executive produced by Jill Scott and J.R Hutson (Pharell, Faith Evans), The Light Of The Sun features appearances by rappers Paul Wall, Doug E. Fresh, and Eve and traverses the rocky terrain of love, longing and loss. The first single, "So in Love," is a duet with Anthony Hamilton. When Scott first heard the record, a soul-filled melody that evokes the legendary pairing of Marvin Gaye and Tammi Terrell, she was moved to tears.
"This music came about in a very organic way," says Scott reflecting on the free-style jam sessions that resulted in the creation of The Light Of the Sun. "I've enjoyed the recording process more than I ever have before."
CONVERSATION ANALYSIS: AN INTRODUCTION
by Jack Sidnell
Combining the main findings, methods and analytic techniques of this central approach to language and social interaction, along with real-life examples and step-by-step explanations, Conversation Analysis is the ideal student guide to the field.
- Introduces the main findings, methods and analytic techniques of conversation analysis (CA) – a growing interdisciplinary field exploring language and social interaction
- Provides an engaging historical overview of the field, along with detailed coverage of the key findings in each area of CA and a guide to current research
- Examines the way talk is composed, and how conversation structures highlight aspects of human behavior
- Focuses on the most important domains of organization in conversation, including turn-taking, action sequencing, repair, stories, openings and closings, and the effect of context
- Includes real-life examples and step-by-step explanations, making it an ideal guide for students navigating this growing field
BLACK TALK: WORDS AND PHRASES FROM THE HOOD TO THE AMEN CORNER
by Geneva Smitherman
Fully revised and updated -- the ultimate guide to black talk from all segments of the African American community.
Do you want to be down with the latest hype terms from the Hip Hop world? Black Talk is the perfect source. "Even if you think you're hip, you'd better look up kitchen, got her nose open, jump salty, and hundreds of other sayings, former or current, that testify to the linguistic originality of Black speakers," said Frederic G. Cassidy, chief editor of the Dictionary of American Regional English. The new edition of Black Talk includes more than 300 new words and phrases and, now more than ever, reflects the ever-changing meanings and uses of this vital and rich part of our language. In a style that is always informative and always entertaining, Geneva Smitherman takes this dictionary far beyond a list of words. Black Talk is a cultural map that charts word meanings along the highways and byways of African American life.
"Embedded here is the hidden history of a people and their resonant culture. This is a major work of scholarship." - Henry Louis Gates, Jr.
"Smitherman weaves her own understanding of language into a delightful introduction to the complexities of Black English...A must-read." - Washington Post Book World
TO SHAPE A NEW WORLD: ESSAYS ON THE POLITICAL PHILOSOPHY
OF MARTIN LUTHER KING, JR.
edited by Tommie Shelby and Brandon M. Terry
Martin Luther King, Jr., may be America's most revered political figure, commemorated in statues, celebrations, and street names around the world. On the fiftieth anniversary of King's assassination, the man and his activism are as close to public consciousness as ever. But despite his stature, the significance of King's writings and political thought remains underappreciated.
In To Shape a New World, Tommie Shelby and Brandon Terry write that the marginalization of King’s ideas reflects a romantic, consensus history that renders the civil rights movement inherently conservative—an effort not at radical reform but at “living up to” enduring ideals laid down by the nation’s founders. On this view, King marshaled lofty rhetoric to help redeem the ideas of universal (white) heroes, but produced little original thought. This failure to engage deeply and honestly with King’s writings allows him to be conscripted into political projects he would not endorse, including the pernicious form of “color blindness” that insists, amid glaring race-based injustice, that racism has been overcome.
Cornel West, Danielle Allen, Martha Nussbaum, Robert Gooding-Williams, and other authors join Shelby and Terry in careful, critical engagement with King’s understudied writings on labor and welfare rights, voting rights, racism, civil disobedience, nonviolence, economic inequality, poverty, love, just-war theory, virtue ethics, political theology, imperialism, nationalism, reparations, and social justice. In King’s exciting and learned work, the authors find an array of compelling challenges to some of the most pressing political dilemmas of our present, and rethink the legacy of this towering figure.
DIRTY SOUTH: OUTKAST, LIL WAYNE, SOULJA BOY,
AND THE SOUTHERN RAPPERS WHO REINVENTED HIP-HOP
by Ben Westoff
Rap music from New York and Los Angeles once ruled the charts, but nowadays the southern sound thoroughly dominates the radio, Billboard, and MTV. Coastal artists like Wu-Tang Clan, Nas, and Ice-T call southern rap “garbage,” but they’re probably just jealous, as artists like Lil Wayne and T.I. still move millions of copies, and OutKast has the bestselling rap album of all time.
In Dirty South, author Ben Westhoff investigates the southern rap phenomenon, watching rappers “make it rain” in a Houston strip club and partying with the 2 Live Crew’s Luke Campbell. Westhoff visits the gritty neighborhoods where T.I. and Lil Wayne grew up, kicks it with Big Boi in Atlanta, and speaks with artists like DJ Smurf and Ms. Peachez, dance-craze originators accused of setting back the black race fifty years. Acting both as investigative journalist and irreverent critic, Westhoff probes the celebrated-but-dark history of Houston label Rap-A-Lot Records, details the lethal rivalry between Atlanta MCs Gucci Mane and Young Jeezy, and gets venerable rapper Scarface to open up about his time in a mental institution. Dirty South features exclusive interviews with the genre’s most colorful players.
SYLVIA WYNTER: ON BEING HUMAN AS PRAXIS
edited by Katherine McKittrick
The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.